He has a comic-style exaggeration, a cold and unemotional attitude japan property agency, and often shouts “Go” to his subordinates under the blessing of a blower. The mantra is “a house that I can’t sell without me.” Although it looks like a robot, the heroine Kitagawa Keiko’s deliberate and exaggerated performance style complements the japan property agency humorous elements of the “Sanxuan family”. The “cool feeling” and fast-paced plot that are directly addressed at the core of the problem attracts all ages Audience. In contrast, “Home”, which purchased the copyright of “The Woman Who Sells a House”, has greatly diminished japan property agency the comedic elements, trying to transform it into a workplace japan property agency drama that conforms to the real life of the Mainland. While copying the heroine’s acting style and the role composition in the play, , But changed the heroine’s personality setting and episode type, causing viewers to have a lingering sense of violation. The Japanese actress Sanxuanjia Wanzhi has almost no so-called “human emotions” and has an arbitrary and japan property agency overbearing work style, but all kinds of unconventional sales methods are based on her unique worldview, careful observation of the house, and extreme reflection on the psychology of japan property agency customers. . In “Home”, the “signboard” sold by the heroine Fang Xijin as the trump card has become a “retainer” for unscrupulous pursuit of performance and non-compliance with professional rules. It is undeniable that it is not uncommon for people who take “the interests as the highest” as the highest criterion in the real workplace, but it is difficult for such a protagonist to gain wide recognition from the audience. The external structure was moved, but the spiritual core was lost. Before “Anjia” was not broadcast, many people looked forward to the screenwriter Liuliu’s work focusing on the “house” again after “Snail House”. Liuliu also said that he would follow the original Compared to her work, IP will emphasize the story more. However, there are only 20 episodes in the Japanese drama “The Woman Who Sells a House”, plus the special “The Woman Who Sells a House: Back”, which is also quite limited, and the TV series “Home” has a length of 53 episodes. Although it can be seen that the screenwriter wants to try his best to retain the unitized story structure and compact plot rhythm in the original play, the result of the comprehensive spread of the character contradictions in the opening episodes is that the warm inspirational theme that is the biggest highlight of the original IP is blurred. Instead, the contention for the interests of the parties in The Home. Although it can be seen that the screenwriter wants to try his best to retain the unitized story structure and compact plot rhythm in the original play, the result of the comprehensive spread of the character contradictions in the opening episodes is that the warm inspirational theme that is the biggest highlight of the original IP is blurred. Instead, the contention for the interests of the parties in The Home.